By Dan Tranberg
This special reference e-book is designed to excite and encourage you to push past conventional thoughts and to discover new ways to portray. Acrylic Fusion frees you from conventional methods to portray through exposing you to a various diversity of other thoughts, unconventional methods, and the mixing of certain fabrics that stimulate creativity and inspire experimentation. it is a must-have source geared toward artists who make work, however it is usually a good reference for any crafters, makers, and DIYers who use paint of their paintings, whether or not they make artwork journals, layout greeting playing cards, or refinish furnishings as the thoughts can simply be tailored for lots of other forms of tasks and functions.
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Extra resources for Acrylic Fusion. Experimenting with Alternative Methods for Painting, Collage, and Mixed Media
9 / SALT EFFECT TECHNIQUE NO. 10 / SPRAYING TECHNIQUE NO. 11 / CRAYON RESIST TECHNIQUE NO. 12 / SAND SURFACE TECHNIQUE NO. 13 / ACRYLIC AS GROUND FOR CHARCOAL AND PASTEL TECHNIQUE NO. 14 / SGRAFFITO TECHNIQUE NO. 15 / TEXT AS TEXTURE TECHNIQUE NO. 16 / DIGITAL GROUND TECHNIQUE NO. 17 / PATTERNED FABRIC TECHNIQUE NO. 18 / CELLOPHANE TEXTURE TECHNIQUE NO. 19 / RUBBING ALCOHOL TECHNIQUE NO. 20 / BLOTTING CHAPTER 3: GALLERY RESOURCES ABOUT THE AUTHOR ACKNOWLEDGMENTS INTRODUCTION Since the early 1960s, when acrylic paints formulated specifically for artists first became widely available, the medium of acrylic has grown to include an incredible diversity of products with a range of qualities unlike any other form of paint.
Then, to start a new layer, dampen the surface again with a soft brush and water. STEP 4: Apply a new series of shapes. Try using a slightly diluted mixture of fluid acrylic and water (1:1), which will allow more freedom with the brush and will create more subdued washes of color. STEP 5: Continue adding shapes with additional colors and then allow this layer to dry. STEP 6: Rewet the surface and continue adding washes of color. Notice that the earlier layers remain intact. Combined Techniques: Crisp, hard-edge shapes can be made on absorbent grounds using the taping technique outlined on pages 40–41.
But this severely limits the kinds of marks and surfaces that can be made. It also makes painting much more expensive than it needs to be. Because acrylic paint is water soluble in its wet state, it is particularly easy to dilute it to make washes and glazes, which can be mixed in an infinite variety of ways to suit an enormous range of applications. Wash is the term used for paint mixed with water. Washes are especially useful when working on absorbent surfaces, but they can also be experimented with over less absorbent, painted areas.
Acrylic Fusion. Experimenting with Alternative Methods for Painting, Collage, and Mixed Media by Dan Tranberg